COLOUR IN ARCHITECTURE.
Maintenance of discipline.
1.1. Lectures.
A. The basic subject. The significance of colouring in
architecture.
1.1.1. The introductory lecture.The examination of colour
as an artistic phenomenon based on natural and scientific grounds.
The main terminology and literature.
1.1.2.The study of physical fundamentals of colour.
1.1.3.The possibilities of application of architectural
multicolour painting. Functional, structural, social and artistic role
of colour in architecture.
Aims and problems, means for realisation.
1.1.4.The historical analysis of colour used in architecture,
development of architectural multicolour painting.
The study of the inception and development of polychromy
in architecture and town planning.
The determination of colour waves and slumps that accompany
the formation of the whole material-spatial environment surrounding of
the Man.
1.1.5.The artistic traditions of region and regional
colour culture as a whole.
The influence of regional light-climatic and natural
conditions on the formation of colouristic palette of historical architecture.
The researches of colour preferences being integrated
in various architecture and different regions and epochs.
1.1.6.The structure of town colouristic. Determinant
factors.
B. The basic subject. The sciientific grounds of colour.
1.2.1.The psychology, physiology and sociology of the
colour. Social and aestetic experimental investigations.
1..2.2.The main regularities and levels of perception
of architectural and town planning colouristic.
Structural and logical scheme of sunsequent perception
of colour environment.
1.2.3.The main and additional components of colour environment
of town. The colour composition role and functions of polychromy of town
landscape and design.
The architecture and town planning colouristic: properties,
types, colour design.
Tectonic and atectonic ( "autonomous") colour
design: functions, properties, perception distances.
C.The basic subject. The methodical fundamentals of colour
scheme planning.
1.3.1. The sistematisation of the Natural Colour System.
The methodic of colour scheme planning of architectural
object in the process of new construction and reconstruction.
2.1. The seminars and practical exercises.
2.1.1.The elementary colours. The theory of Colour.
2.1.2.The classification of types of colour harmony.
2.1.3.The investigation of basic lows of colour harmony
on the architecture of different regions and historical periods.
2.1.4.The study of phenomenon of the colour induction.
The simultaneous and successive colour inductions.
2.1.5.The historical classification of pygments.
2.1.6.The standart for colour notation. The calculation
of colour contrast.
2.1.7.The compositonal opportunities of polychromy.
2.1.8.The inherent and perceived colour in architecture.
EXAMINATION OF COLOURING IN THE BYELORUSSIAN SCHOOL OF
ARCHITECTURE.
1. Lectures.
1.1.The comprehension of colour as an effective means
for raising the aesthetic standarts of architecture and urbain environment.
Colour and its application in art, designe and architecture.
1.1.1. Introduction lecture. The main terminology and
literature.
1.1.2. Colour is a most complex phenomenon, owing to
which the interconnection of the Man with an outer world is effected.
1.1.3. The main levels of relatively independent links
of this interconnection:
- Colour is a bearer of aesthetic values;
-Colour is a means of form formation;
-Colour is a bearer of semantic contents.
1.1.4. Colour as an important element of surrounding
including artificial environnement and natural polychromy.
1.2. Psychological and social meaning of colour in humain
being.
1.2.1. The study of symbolic meaning of the colour in
the process of the inception and development of polychromy in architecture
and town planning.
1.2.2. Colour language and modern dictionnary of colour
language.
1.2.3. The historical analysis of development of application
the colour. Different technics and methods of using of the various colour
pigments and paints for architecture.
1.2.4. Traditional, passive- reflective, innovative and
encompasses active studies of colour harmony.The influenc of different
colour harmonies for psychological and emotional state of Man
1.3. Regional and national peculiarities of using colour
in architecture.
1.3.1.Colour and national psycology.
1.3.2.Colour Preferences, chromotherappy and colour associacions.
1.3.3. Colour scales of traditional pigments for external
painting in Byelorussia.
1.3.4. The study of the different colouristic ideas perceived
in the inerconnection with the philosophical-aesthetic understanding of
space and architecture.
The study of the different colour idioms and their graphic
essence of the masters of various epochs and architectural styles.
1.3.5. The historical classification of the pigments,
using in architecture and painting.
1.3.6. The possibilities of the colour in volumetric
and spatial composition. Colour is a form`s property.
1.3.7. Colour is a component of building material. Traditional
and modern colour building material.
1.3.8. The study of colour on mock ups by means of volumetric-spatial
modelling.
1.3.9. The study og optical possibilities of flat and
volumetric-spatial modelling.
1.3.10. Experimental developments on the colouring of
concrete architectural objects.
Some examples from students works
plane
|
volume
|
relief
|
supergraphic
|
.
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